Maroki

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Troubleshoot Mix

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Episode 003

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Maroki | Troubleshoot Mix | Episode 003 |

Amsterdam-based DJ and producer Rollo Mason, who goes by the artist moniker Maroki, is fast becoming one of the most exciting new talents in electronic music. The 28-year-old – originally from West Wales – released his debut EP, Hatchi, back in February on Handy Records, the label he runs with best pal and illustrative genius James Lacey. The EP features three masterfully crafted original tracks from Maroki and two outstanding remixes from 1-800 GIRLS and Jensen Interceptor. 

Maroki’s dynamic and wide-ranging musical tastes – which incorporate everything from house, techno, electro, breaks and UK Garage – have been showcased on the Pointless Radio Show, where he’s featured alongside his partner in crime, Lacey, on renowned south London station Balamii.  

For his Troubleshoot Mix, Maroki supplies us with an hour of electrifying rhythms from across the dance music spectrum, along with some exclusive unreleased material of his own. The mix is accompanied by an interview where he shares his start in music, his experience as an artist during a pandemic and his future plans. 


Interview

Words: Jake Stock
04/04/21

When did you start DJing and producing music? 

I was 15 when I started writing electronic music thanks to my big brother who gave me his copy of Reason 3. I was 16 when I started DJing in clubs. I had a weekly residency at a club in Cardiff and I also had regular slots at Cable in London and Paradiso in Amsterdam. DJing was a natural progression from producing music for me, but my main focus has always been on writing really.

Which artists influenced and inspired you the most growing up and why?

I was raised on a lot of prog rock and jazz growing up. Bands like Pink Floyd, Grateful Dead, Led Zeppelin were who I was listening to from a young age. My big brother got me into electronic music in my early teens. I pinched a copy of Trentemøller – The Last Resort and Aphex Twin – Selected Ambient Works 85-92 and thought: “What the fuck is this?” Aphex Twin, Four Tet, DJ Koze and Floating Points are all high on my list of influences but being honest everything around me is inspirational. Recently I moved in with one of my best mates James [Lacey] who’s always sending me new music that he receives through his design work. It's quite refreshing to have a stream of sound around the office constantly, especially in such strange times.

How has living in a pandemic for the past year been for you? Have there been many positives from spending so much more time at home and have you experienced many difficult moments?

Honestly, it's been a double-edged sword. It got me out of a rut with my day-to-day life and pushed me back into working in the creative industries. It also got me out of the UK and back to the Netherlands. Before the pandemic, I was chasing a Michelin star through my early-to-mid 20s. I then went into consultation and design in hotels and restaurants. The work was great, but the hours were tough. It was mentally draining. Anyway, covid shit on that so it gave me time to stop and work on music again, which I hadn't done since I lived in Rotterdam. 

I moved back to West Wales when covid hit back in March last year and after a few shit situations later I bailed with my dog and moved to Amsterdam in July 2020.

In terms of productivity, being away from production for so long and now having the time to produce music has given me a fresh ear with my own work. I am finally able to develop, revisit and finish ideas and sketches from over the past 10 years. The last year has been pretty mentally taxing and to say it hasn't been a struggle would be a huge lie. I am incredibly fortunate that I have a seriously great bunch of people around me and have a pretty strong support network. Moving away from the UK during a pandemic was hard at times but being able to keep up with my people is a blessing.

How have you found finishing tracks and mixing records during the last year? Has it been hard finding music and recording mixes with everything going on?

Stopping was the best thing for me, I was heading for a big fuck off burnout before covid hit and it really made me stop and think about things. I am so lucky to have been able to concentrate on sound and have really supportive mates around me. Motivating yourself to get projects done at the moment can be difficult as everything’s a bit bleak. My workflow is pretty structured, and my working background has maybe made me overly focused. When I’m working, I tend to start and finish a project in one sitting. That can be anywhere from three to 16 hours if it takes over. Then I just make the decision to keep it or get rid of it and move on.

Mixing is a different story though. I tend to go back-to-back with James and Malik [Kassim] (DJs as Retromigration) a lot just at home but recording is always a challenge. The biggest challenge being that no one remembers to hit record...

What are the standout moments in the mix for you?

O-V-E-R-M-O-N-O. That fucking tune. Honestly. Also “Burn” by Joy O. It felt a bit mental blending my track “No” into it, but it somehow worked. Also, that Underworld track always slaps too. 

Your debut EP Hatchi on Handy Records features outstanding remixes from 1-800 GIRLS and Jensen Interceptor on it. Who are some of the other artists you would like to work with in the future?

Having those two features on HANDY001 was such a sick moment. They both came back with crazy flips, so I was blown away. Big up Jake & Mikey!

To be honest I’d say I'm pretty shit to work with. I just get really into my thoughts and lose bandwidth to communicate outside of what I'm already tuned into. 

There are so many artists I want to work with at the moment. Kilig is killing it and we have chatted about a potential link up. Hugo Massien also, the guy is a fucking wizard and his LP on E-Beamz is a huge record. Third Son would also be crazy as he's from the motherland and his music absolutely bumps. I’m currently working on a few bits with Retromigration who’s the MVP! His Handy EP is something special.

How have you managed to stay motivated and release music in the midst of all this chaos? Do you have any tips/words of advice for DJs and producers you can share with us?

It's hard to stay motivated under any circumstances but especially right now and that’s okay. We're going through something no-one has ever experienced so the expectation to be creative in such a peak time is a lot of unnecessary pressure. Fuck that. Just keep pushing. Do what you need to do and look after yourself and those around you. I keep writing music as it's my breakaway from work, but you have to strike a balance.

What are you most looking forward to this year? Have you got anything coming up that we can get excited about?

There are six records we're releasing on Handy this year that are getting me really hyped, along with a load of dope remixes from friends and family of Handy Supply Co. I’m definitely looking forward to getting those tracks out to the world. Personally, I've got a few more EPs lined up for the year. One on E-Beamz following HANDY001, another on Lost Palms in the summer and another I can't quite talk about yet, but it’s lined up for autumn this year. Also, I just finished up a Maroki LP that’s looking to be released towards the end of the year. Handy Supply Co parties in Amsterdam & Berlin are in the works too. We have locked in some dope locations so keep your eyes peeled! 

Tracklist

Maroki – Lost 

Laurence Guy – Why Do Cowboys Never Die In The East?

Hugo Massien – Matter of Time 

Eris Drew – Trans Love Vibration (Eris Goes To Church) 

Yu Su – Watermelon Woman - Edit 

Maroki – Untitled 

Dauwd – Jupiter George 

DJ Koze – Burn With Me 

Joy Orbison feat. Infinite & Mansur Brown – Burn 

Maroki – No 

Interplanetary Criminal – Give 

Maroki – NI Somer 

Overmono – Le Tigre 

Denham Audio – Top Buzz 

Underworld – Push Upstairs